Inspiration and Context
Les evenements de mai 68 are now fifty years old. Yet their profound and revolutionary effect on French society and radicals in advanced capitalist nations are still being felt, and of course, with the 50th anniversary in 2018, there is a small flurry of reminiscent articles even in the mainstream media. True, much of l'esprit de '68is is built around a sense of utopian, creative, and imaginative euphoria, with the science fiction novel by Lisa Goldstein, The Dream Years, an illustrative example. On the other hand there was particularly earthy and challenging cinema from the new wave greats in cinema; Jean-Luc Goddard's ironically titled Tout Va Bien and Bernardo Bertolucci's The Dreamers. As much as these artistic endeavour both inspire and challenge however, it is primarily from documentation at the time that the most functional lessons can be learned; in particular, the French-language Journal de la commune étudiante and the English translations in Writing on the Wall.
Situations have a context, and the situation in France in 1968 was at a breaking point. The rule of de Gaulle as president and Pompidou as prime minister had reached a point of near-parody in grandiosity (de Gaulle) and ennui (Pompidou). In the immediate post-war environment, there had been radical hopes which were soon sidelined and the Fourth Republic had come to a sudden and eventful collapse as nationalists in the army rebelled against the government's policy of a negotiated settlement in Algeria and threatened a coup against the government. Whilst the economic policy of dirigisme had assisted in the post-war recovery, and de Gaulle's nationalism ensured France as an independent world power, especially after developing it's own nuclear capability. Demographic changes had led to a significant increase in the student population of France in an environment that still expected social conservatism. The traditional French countryside had been abandoned in favour of the expansion of modern industry, yet the economic security of the French working class was dubious at best, despite what would be called Trente Glorieuses by Jean Fourastié. Whilst this had some reflection in political results (the "presidential" parties only had a one-seat majority in the 1967 elections) the next legislative elections were some time away.